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Started in 2012 with The Pirate Cinema (exposing the dynamics of peer-to-peer media sharing and its materiality), followed by Predictive Art Bot (a disruption of the normative effects of social media on creativity), and continued with Computational Propaganda (a ‘system test’ of the online political influence apparatus), this series explores black box technologies and the algorithmic governance of our aspirations, decisions, and political views. These three artworks aim to reveal emergent algorithmic imaginaries, expose the inner workings of these systems, and stimulate critical debate.