If you suspend your transcription on amara.org, please add a timestamp below to indicate how far you progressed! This will help others to resume your work!
Please do not press “publish” on amara.org to save your progress, use “save draft” instead. Only press “publish” when you're done with quality control.
This starts with 1940s Musique Concrete and Daphne Oram’s work on early electronic music at the BBC, and blossoms into the strange and wonderful projects coming out of the modern music hacker scenes in London and Berlin, including a pipe organ made of Furbies, a sound art marble run, robotic music machines, gesture controlled moon cellos, and singing circuit sculptures. I'll also be sharing some of own work, plus my favourite new ways to make embedded instruments, including plenty of amazing Open Source hardware and software.